My goals were to draw the shadows that I could see from the
model. I accomplished this goal by mapping
out the shadows, getting the right shade of color, and then blending the pencil
together to minimize the amount of lines of shading from the pencils. My drawing is about dramatic shadows and
reflecting light. The shadows in the
picture make the letters. The most
difficult challenge I encountered was the lighting moving. Every time I went back to work on my shadows
and drawing, the light was always moved.
I tried my best to get the light where it was so I could draw it. I took a picture of the model with the light
the first time I set it up, so every time I set up my model again, I tried to
get it exactly like the picture I took.
My drawing really works where the really dark shadows are. The shadows make the letters pop out of the
paper. Something that I learned was how
to use the different pencils. Before the
drawing, I didn’t know what pencils to use when. After the drawing, I know how to use them
all. Connie Hayes was my mentor for this
because she used a lot of color and I used a bunch of different shades of
pencil. I learned how to do light
shadows in the background from Laura. I
think she did a really good job with her background. The background really makes the letters stand
out. If I had a do over I would have not
blended the pencil together. I think it
would have looked better with just the shading and not the blending. The blending made the pencil go all over the
paper and this was a problem for the white places of the paper. The thing I feel best about my drawing was
the shadows cast on the letters. I think
this is the best thing because it makes the letters come off the page.
It is hard to tell what is the sculpture and what is the drawing. That's how good it is Good statement too.
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